Residents took part in a ritual that perfectly reflects the desire of all Cubans: to burn the old and make way for the new.

14ymedio, Matanzas, Pablo Padilla Cruz, June 26, 2026 — The official mourning period decreed following the death of General Ramiro Valdés postponed the traditional burning of the San Juan effigy in the Pueblo Nuevo neighborhood of Matanzas. The population, exhausted by the lack of electricity and water, the heat, and the mosquitoes, had eagerly awaited a few hours of escape from their grim daily reality and the chance to celebrate one of the festivities that best represents the longing of all Cubans: to burn the old and make way for the new.
“I’ve lived here for 65 years, and the burning of the effigy is a ritual that had disappeared but was revived years ago,” says Ania, a resident of the Callejón de las Tradiciones. “I’m the first to say these aren’t times for celebration, but these little moments are what make everyone equal: the person who has food and the one who doesn’t, the person who has solar panels to watch television during blackouts and the one who doesn’t. People deserve to forget how hard life is,” she argues.
The debate is out in the streets. Not everyone feels like celebrating, and many believe this is more a time for anger than rituals, but Ania sees no contradiction. “Still, one day people may decide to demand what they deserve, but just because they dance a little, even if afterward they don’t have water in their homes, you can’t force them to do what others think is right,” she insists.

“There isn’t much time for celebrating,” laments Yudania, another resident passing through the Alley, where the procession begins. The San Juan celebration originates in European pagan rites marking the summer solstice, which welcomed the warmth and, with it, good harvests after the cold winter. Fire was used for two reasons: it was believed to strengthen the sun and to purify, driving away evil spirits.
Today, Yudania needs fire for something else. “While some people enjoy themselves, I had to go get charcoal, and now I have to light it to cook. That doesn’t mean I’m against the tradition. It’s just that every year we ask for bad things to leave, but everything gets worse,” she laments. “Fortunately, we have our health, and that’s important. Everything else has to improve someday,” she concludes as she heads home carrying a bag of charcoal in her hands.
In Matanzas, where the pagan celebration later Christianized and blended with local culture, the ritual consists of making an effigy symbolizing all the bad things accumulated during the year. At nightfall, residents carry it in procession to the riverbank and set it ablaze in an act of collective purification: a bonfire in which everyday frustrations are burned with the hope that the flames will clear the way for renewal, health, and prosperity.
Along Calzada de Tirry, toward the riverbanks, walks Antonio, an elderly teacher who has spent more than twenty years waiting for a Cuban perestroika and has grown tired of celebrating. “I don’t go many places anymore, not even to the nearby danzón dances, much less to burn an effigy,” he comments.

“I have nothing against the celebration, but I became disillusioned with the divine a long time ago, although I’m not going to judge anyone. Yesterday I was one of those people dancing to the beat of the conga procession, and although I knew what should be asked of the effigy, I let it pass, just like my generation and the one that came after it. Now it’s up to you to decide what to do: stay beside the conga or bring it to a halt,” he says with an obvious double meaning.
On the night of the 24th, because of the general, the effigy was burned while residents recited:
Fire of San Juan, drive away all evil.
Fire of San Juan, take away all negativity.
Fire of San Juan, bring health and prosperity.
So it is and so it shall be.
Ania smiles when asked what she wishes for.
“I’m sure it’s the same thing you wish for, but instead of saying it aloud, let’s ask San Juan for it. Next year we’ll see whether he listened to us.”
Translated by Regina Anavy
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